John Addington Symonds
评分署名 · Reed (@babelspan)
v0 legacy · 待 v1 重做
《The Life of Michelangelo Buonarroti》在 Babelspan 八维工艺分中得 86.0/100,原型归为「扎实参考」。八个维度中,最强的是例证(88 分),相对最弱的是实用性(76 分)。本评分基于样本开窗,各维度给分均附正文摘句证据,属单次可审计尺规评审,非众包星级或安利榜。
"Ch. I 'Birth, Boyhood, Youth at Florence, down to Lorenzo de' Medici's Death, 1475-1492' (line 100-1200) 锚点全读, Ch. II 'First Visits to Bologna and Rome, 1492-1501' (line 1200-2500) 抽样, Ch. III 'Residence in Florence - The David, 1501-1505' (line 2500-4500) 抽样, Ch. V 'Second Visit to Bologna - Painting of the Sistine Vault, 1506-1512' (line 4500-7000) 抽样, Ch. XI 'Final Settlement in Rome - The Last Judgment, 1535-1542' (line 7000-11000) 抽样, Ch. XV 'Death at Rome - Estimate of Michelangelo as Man and Artist' (line 11000-15000) 抽样。Gutenberg #11242 Symonds 1893 初版 (London, John C. Nimmo)。非全读。"
The Buonarroti Simoni, to whom Michelangelo belonged, were a Florentine family of ancient and, as they believed, of distinguished origin. They traced their pedigree back to the days of the great Countess Matilda, and to the high and puissant Counts of Canossa
清晰的"家族起源+佛罗伦萨早期"——19 世纪英国美学传记的稳定高峰,故清晰度为 86。
(Thodey 1902 + Berenson 1930 + Tolnay 1947-1960 + Hibbard 1974 + Hall 1999 + Wallace 2010)
19 世纪英国美学传记的奠基——131+ 年稳定的学术地位,故准确性为 86。
(Birth, Boyhood, Youth + First Visits to Bologna and Rome + Residence in Florence + Julius II. Calls Michelangelo to Rome + Second Visit to Bologna + On Michelangelo as Draughtsman + Leo X. Plans + Adrian VI and Clement VII + Sack of Rome + On Michelangelo as Architect + Final Settlement in Rome + Vittoria Colonna + Architect-in-Chief at the Vatican + Last Years of Life + Death at Rome)
"艺术家+男人"双轨框架——19 世纪英国美学传记的标准时间结构,故结构为 86。
Granacci happened to show him a print of S. Antonio tormented by the devils... I record this first of April how I, Lodovico di Lionardo di Buonarrota, bind my son Michelangelo to Domenico and Davit di Tommaso di Currado for the next three ensuing years... Both Condivi and Vasari relate that, during his apprenticeship to Ghirlandajo, Michelangelo demonstrated his technical ability by producing perfect copies of ancient drawings
具体的艺术+历史+宗教+情感案例——19 世纪英国美学传记的高密度,故例证为 88。
I record this first of April how I, Lodovico di Lionardo di Buonarrota, bind my son Michelangelo to Domenico
19 世纪英国美学传记的核心——但学术难度高,需现代综述配合,故实用性为 76。
(Condivi + Vasari + Lorenzo de' Medici + Julius II + Vittoria Colonna + 建筑师 + 艺术家+男人+诗人)
文艺复兴传记最核心问题的复合回答——19 世纪英国美学传记的元原典,故深度为 88。
(Berenson 1930 + Tolnay 1947-1960 + Hibbard 1974 + Hall 1999 + Wallace 2010)
当代米开朗基罗学+文艺复兴传记的核心研究对象+19 世纪英国美学传记的源头,故时效性为 86。
The Buonarroti Simoni, to whom Michelangelo belonged, were a Florentine family of ancient... I record this first of April how I, Lodovico di Lionardo di Buonarrota, bind my son Michelangelo to Domenico... Both Condivi and Vasari relate that, during his apprenticeship to Ghirlandajo, Michelangelo demonstrated his technical ability
19 世纪英国美学传记的稳定高峰——清晰、叙事+批评结合,故文笔为 88。 **L1 mean (8-dim):** **86.0** / 100
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