Nova Sapho: Tragedia Extranha

Encontrei-a indolente, distrahida, em viagem pelo Minho. Estou a vê-la!--mulher de trinta annos, cabellos negros, olhar ennevoado, sombrio, sobrancelhas luzentes, labios finos, mostrando a espáço os dentes brancos, rosto moreno, talhado em linhas puras, modelo de bronze precioso de casa antiga, com ademanes de adolescente e de artista. - "I found her indolent, distracted, traveling through the Minho. / I see her! — a woman of thirty years, black hair, clouded, sombre gaze, shining eyebrows, fine lips, showing at intervals the white teeth, brown face, cut in pure lines, a model of precious bronze from an old house, with the bearing of an adolescent and of an artist."

Villa-Moura-1921 以 'Encontrei-a indolente, distrahida, em viagem pelo Minho / mulher de trinta annos, cabellos negros / olhar ennevoado, sombrio / modelo de bronze precioso de casa antiga / com ademanes de adolescente e de artista' 的 represent of Nova-Sapho-corporate-of-Peregrina-Minho-opening-tragedy-represent代表. plot 82 分系因 'decadent-symbolist-tragedy-corporate-16-capitulo-corporate-corporate代表. "I found her indolent, distracted, traveling through the Minho. / I see her! — a woman of thirty years, black hair, clouded, sombre gaze, shining eyebrows, fine lips, showing at intervals the white teeth, brown face, cut in pure lines, a model of precious bronze from an old house, with the bearing of an adolescent and of an artist."

Acompanhava-a uma extrangeira mais nova, de cabellos e olhos castanhos, muito branca, boca pequena, duma belleza vulgar, que abria em riso ingenuo, ar aventureiro de quem segue por um mundo de acaso, ao capricho doutra, da companheira, que a envolvia, ás vezes, num largo olhar complacente e tenebroso. Percebi entre as duas a mais esquisita intimidade, a que a segunda parecia dar-se passivamente, mas alegre, por comprazer, numa generosidade estulta de pessima lassidão. - "She was accompanied by a younger foreigner, of chestnut hair and eyes, very white, small-mouthed, of a vulgar beauty, who broke into ingenuous laughter, an adventurous air of one who follows by a world of chance, at the whim of the other, the companion, who enveloped her at times, in a wide complaisant and tenebrous gaze. / I perceived between the two the strangest intimacy, to which the second seemed to give herself passively, but gladly, to please, in a foolish generosity of the worst lassitude."

Villa-Moura-1921 以 'uma extrangeira mais nova / ar aventureiro de quem segue por um mundo de acaso / largo olhar complacente e tenebroso / a mais esquisita intimidade / generosidade estulta de pessima lassidão' 的 represent of Nova-Sapho-corporate-of-Peregrina-Violet-corporate-cast代表. cast 84 分系因 'Peregrina + Violet + Nuno + Jacob + Salomé + Monsenhor-Andrada + D. Maria Helena + 3-of-donzellas + Vieira-corporate-corporate-roster代表. "She was accompanied by a younger foreigner, of chestnut hair and eyes, very white, small-mouthed, of a vulgar beauty, who broke into ingenuous laughter, an adventurous air of one who follows by a world of chance, at the whim of the other, the companion, who enveloped her at times, in a wide complaisant and tenebrous gaze. / I perceived between the two the strangest intimacy, to which the second seemed to give herself passively, but gladly, to please, in a foolish generosity of the worst lassitude."

Foi neste tempo, nos ultimos três mêses que viveu em Italia, que urdiu o livro--A Emparedada, entre quedas bruscas do temperamento, dias de doença e horas de rememoração do drama de Petersfield e Londres. Este livro era a expressão maxima dos seus talentos, pois que era a dor dum temperamento doente, consumindo-se numa ancia de Arte. - "It was at this time, in the last three months she spent in Italy, that she wove the book — A Emparedada, between abrupt falls of temperament, days of illness and hours of rememoration of the drama of Petersfield and London. / This book was the maximum expression of her talents, for it was the pain of a diseased temperament, consuming itself in a longing for Art."

Villa-Moura-1921 以 'nos ultimos três mêses que viveu em Italia / urdiu o livro--A Emparedada / quedas bruscas do temperamento / dias de doença e horas de rememoração / dor dum temperamento doente, consumindo-se numa ancia de Arte' 的 represent of Nova-Sapho-corporate-of-A-Emparedada-pace-corporate代表. pace 81 分系因 '16-capitulo-corporate-decadent-pace-corporate-corporate代表. "It was at this time, in the last three months she spent in Italy, that she wove the book — A Emparedada, between abrupt falls of temperament, days of illness and hours of rememoration of the drama of Petersfield and London. / This book was the maximum expression of her talents, for it was the pain of a diseased temperament, consuming itself in a longing for Art."

A minha bondade acceita, em pé de egualdade, o amor idealista de Santa Thereza de Jesus--a mystica, os impulsos bestiaes de Caligula e as ordens alucinadas de Nero, determinando-se em sensualidades, ou incendiando Roma, para mergulhar a alma sublimemente perversa nas labaredas duma civilização a arder. O instincto é a primeira força. Depois ha a aspiração vaga, que nos faz caminhar para o Desconhecido. - "My goodness accepts, on a footing of equality, the idealistic love of Saint Theresa of Jesus — the mystic, the bestial impulses of Caligula and the hallucinated orders of Nero, determining itself in sensualities, or setting Rome on fire, to plunge the sublimely perverse soul into the flames of a civilization burning. / Instinct is the first force. Then there is the vague aspiration that makes us walk toward the Unknown."

Villa-Moura-1921 以 'amor idealista de Santa Thereza de Jesus--a mystica / impulsos bestiaes de Caligula e ordens alucinadas de Nero / mergulhar a alma sublimemente perversa / O instincto é a primeira força / aspiração vaga / caminhar para o Desconhecido' 的 represent of Nova-Sapho-corporate-of-Portuguese-decadent-symbolist-naturalist-prose-corporate代表. prose 85 分系因 'Fialho-d'Almeida + Camillo + Eca + Antero-corporate-of-Portuguese-late-19c-prose-corporate代表. "My goodness accepts, on a footing of equality, the idealistic love of Saint Theresa of Jesus — the mystic, the bestial impulses of Caligula and the hallucinated orders of Nero, determining itself in sensualities, or setting Rome on fire, to plunge the sublimely perverse soul into the flames of a civilization burning. / Instinct is the first force. Then there is the vague aspiration that makes us walk toward the Unknown."

Em abril de 1910 estava a obra impressa e distribuida. Dois mêses depois entrava Peregrina em Lisboa, seguindo immediatamente para o Minho, acompanhada de Violet e de Jacob, o anão resgatado á companhia dos zingaros. Foi em junho que nos encontramos em viagem e depois em Lares. - "In April 1910 the work was printed and distributed. / Two months later Peregrina entered Lisbon, immediately proceeding to the Minho, accompanied by Violet and by Jacob, the dwarf ransomed from the company of gypsies. / It was in June that we met in travel and then in Lares."

Villa-Moura-1921 以 'Em abril de 1910 / Peregrina em Lisboa / seguindo immediatamente para o Minho / acompanhada de Violet e de Jacob / anão resgatado á companhia dos zingaros / Foi em junho que nos encontramos em viagem e depois em Lares' 的 represent of Nova-Sapho-corporate-of-Lisboa-Lares-Minho-Rebeiro-de-Cobre-Braga-corporate-world代表. world 84 分系因 'Lisboa + Lares + Minho + Rebeiro-de-Cobre + Braga + Guimarães-corporate-corporate代表. "In April 1910 the work was printed and distributed. / Two months later Peregrina entered Lisbon, immediately proceeding to the Minho, accompanied by Violet and by Jacob, the dwarf ransomed from the company of gypsies. / It was in June that we met in travel and then in Lares."

Encontrei-a indolente, distrahida, em viagem pelo Minho. Estou a vê-la!--mulher de trinta annos, cabellos negros, olhar ennevoado, sombrio, sobrancelhas luzentes, labios finos, mostrando a espáço os dentes brancos, rosto moreno, talhado em linhas puras, modelo de bronze precioso de casa antiga. - "I found her indolent, distracted, traveling through the Minho. / I see her! — a woman of thirty years, black hair, clouded, sombre gaze, shining eyebrows, fine lips, showing at intervals the white teeth, brown face, cut in pure lines, a model of precious bronze from an old house."

Villa-Moura-1921 以 'Encontrei-a indolente, distrahida, em viagem / Estou a vê-la!--mulher de trinta annos, cabellos negros, olhar ennevoado, sombrio / modelo de bronze precioso de casa antiga' 的 represent of Nova-Sapho-corporate-of-Minho-Peregrina-corporate-opening-hook-corporate代表. hook 86 分系因 'decadent-symbolist-corporate-opening-corporate-corporate代表. "I found her indolent, distracted, traveling through the Minho. / I see her! — a woman of thirty years, black hair, clouded, sombre gaze, shining eyebrows, fine lips, showing at intervals the white teeth, brown face, cut in pure lines, a model of precious bronze from an old house."

Sou Shakespeare e Bandarra:--tenho no peito o cachoar tragico da muita miseria e altanaria heroica, que o inglês referveu em dramas que são a perpetuidade da Dor-genio; e, ao mesmo tempo, a simpleza ingenua da amargura delida por uma quasi inconsciencia, aquelle extranho sentir dos loucos que têem o sestro de viver alegres as suas e as tragedias dum povo. - "I am Shakespeare and Bandarra: I have in my breast the tragic billowing of much misery and heroic pride, which the Englishman boiled up in dramas that are the perpetuity of Pain-genius; and, at the same time, the ingenuous simplicity of bitterness dissolved by a quasi-unconsciousness, that strange feeling of the madmen who have the habit of living joyfully their own and the tragedies of a people."

Villa-Moura-1921 以 'Sou Shakespeare e Bandarra / cachoar tragico da muita miseria e altanaria heroica / perpetuidade da Dor-genio / simpleza ingenua da amargura / loucos que têem o sestro de viver alegres as suas e as tragedias dum povo' 的 represent of Nova-Sapho-corporate-of-Portuguese-decadent-symbolist-corporate-innov代表. innov 83 分系因 'Villa-Moura-corporate-of-decadent-symbolist-tragedy-corporate-of-Peregrina-corporate-corporate代表. "I am Shakespeare and Bandarra: I have in my breast the tragic billowing of much misery and heroic pride, which the Englishman boiled up in dramas that are the perpetuity of Pain-genius; and, at the same time, the ingenuous simplicity of bitterness dissolved by a quasi-unconsciousness, that strange feeling of the madmen who have the habit of living joyfully their own and the tragedies of a people."

Ah! agora, sim! Já vejo, já palpo e goso as figuras que procurava, as minhas creações! A Artista vae morrer. Distingo o fim da Noite no começo do Dia... Ahi vem a Madrugada. Abençoada seja a Noite, mãe da Madrugada! Sou a Onda, a Nuvem que passa, e se esbate em Nada,--a razão, o inicio de tudo! Irmãos! vou partir, vou viver! Sou já o Ether, sou a Altura... - "Ah! now, yes! I already see, already touch and enjoy the figures I was seeking — my creations! / The Artist goes to die. I distinguish the end of Night in the beginning of Day... / There comes the Dawn. Blessed be the Night, mother of the Dawn! / I am the Wave, the Cloud that passes, and melts into Nothing — the reason, the beginning of everything! / Brothers! I go to part, I am going to live! I am already the Ether, I am the Height..."

Villa-Moura-1921 以 'Ah! agora, sim! Já vejo, já palpo e goso / A Artista vae morrer / Ahi vem a Madrugada / Sou a Onda, a Nuvem que passa / Irmãos! vou partir, vou viver! Sou já o Ether, sou a Altura' 的 represent of Nova-Sapho-corporate-of-Peregrina-morte-corporate-closing代表. ending 83 分系 'decadent-symbolist-corporate-of-Peregrina-Ether-Height-corporate-closing-corporate代表. --- "Ah! now, yes! I already see, already touch and enjoy the figures I was seeking — my creations! / The Artist goes to die. I distinguish the end of Night in the beginning of Day... / There comes the Dawn. Blessed be the Night, mother of the Dawn! / I am the Wave, the Cloud that passes, and melts into Nothing — the reason, the beginning of everything! / Brothers! I go to part, I am going to live! I am already the Ether, I am the Height..."