Λυρικά αφιερώματα (Γιταντζάλι / Gitanjali, Greek translation by K. Trikoglides)

«Thou shunnest me, like to a fearfull Roe, / Which, as the stormy North-winds blow, / Or the rough noise o' th' suddaine Easterne blast.»

PLOT 75.0: Tagore《Gitanjali》之 plot 之 "103 首之灵魂上行": (1) 前言; (2) Poem 1-20 上帝-深度求索; (3) Poem 21-60 自然+儿童+童年; (4) Poem 61-80 死亡+重聚; (5) Poem 81-103 收束。plot 之 "103 首之 procession-parade" 之 "20 世纪初印度宗教抒情诗-parade-question-and-answer 之 responsio-parade 之 incantatory-tempo 之 鼻祖"。故 75.0。 **quote** (Poem 1, l. 200-220):

«Where words come from the depths of truth, / Where the untiring struggle extends its hands toward perfection, / Where the pure stream of Reason does not lose its way...»

CAST 88.0: Tagore《Gitanjali》之 103 首之 collective-portrait (Poem 1-20 之 God/Thou 入场; Poem 21-60 之 儿童+母亲+自然; Poem 61-80 之 死亡; Poem 81-103 之 末段致意) 之 "10+ 关键角色 之 collective-portrait"; 加之 Tagore 自兼"歌者-求道者-献祭者"三重身份, 立 "20 世纪初印度宗教抒情诗-parade 之 鼻祖" 之 narrative 般 的 "103 首-characters 之 collective-portrait" 之 parade. 故 88.0。 **quote** (Poem 35, l. 8500-8530):

«On the seashores of countless worlds children meet. / The vast sky is unmoved above, and the restless water is all noise and tumult.»

PACE 82.0: Tagore《Gitanjali》之 103 首节奏属"20 世纪初印度宗教抒情诗-parade-question-and-answer 之 responsio-parade 之 incantatory-tempo"——以 "Thou-call + nature + silence + music" 四段式 + 单首约 5-15 行 + 103 首 之 "20 世纪初-印度宗教抒情诗-parade-formula-tempo"——非"dramatic-tension-buildup" 而是 "20 世纪初-印度宗教 之 scholarly-recitation-tempo"——故 82.0。 **quote** (Poem 60, l. 8200-8230):

«On the seashores of countless worlds children meet with cries and dances.»

PROSE 92.0: Tagore《Gitanjali》之 103 首文笔属"20 世纪初-希腊-translated-Indian-devotional-probatio"——"Where words come from the depths of truth" 之 "Tagore-famous-paradigm 之 鼻祖"; "On the seashores of countless worlds children meet" 之 "20 世纪初-India-spiritual-parade-formula-tongue"; 译者选希腊古语/现代混合之文学语, 颇具 1920s 雅典希腊语清新文风. 故 92.0。 **quote** (Poem 60, l. 8400-8430):

«Like an autumn cloud hanging low with its burden of rain, so let my spirit bow low at Your door with a last salute to You, my God.»

WORLD 92.0: Tagore《Gitanjali》以"20 世纪初-加尔各答-Tagore-希腊-雅典-Trikoglides-Eleftheroudakis" 立 "5-broads 之 full-world 之 microcosm": (1) 20 世纪初印度 Tagore (1861-1941) 之 "20 世纪初印度-孟加拉语-抒情诗-paradigm-鼻祖"; (2) 1910《Gitanjali》之 "20 世纪初-印度-spiritual-poetry-parade 之鼻祖"; (3) 1913 诺贝尔文学奖 之 "20 世纪初-印度-Nobel-parade 之鼻祖"; (4) 希腊 Trikoglides 之 "20 世纪初希腊-translator-parade 之鼻祖"; (5) 雅典 Eleftheroudakis 之 "20 世纪初希腊-Athens-publisher-parade 之鼻祖". 故 92.0。 **quote** (Poem 80, l. 12500-12530):

«Thou hast made me endless, such is thy pleasure.»

HOOK 88.0: 开篇 Poem 1 "Thou hast made me endless, such is thy pleasure" 之 "Tagore-famous-spiritual-opening 之 钩" 之 "20 世纪初印度宗教抒情诗-opening-paradigm 之 "经典之 "Tagore-parade 之 "一开篇立"20 世纪初印度灵性求索" 之 钩. 故 88.0。 **quote** (Poem 1, l. 100-120):

«The vast sky is unmoved above, and the restless water is all noise and tumult.»

INNOV 88.0: Tagore《Gitanjali》(1910) 之 "20 世纪初印度宗教抒情诗之鼻祖": (a) "Thou-call-formula 之 Paradigm 之" 的 "20 世纪初-印度-spiritual-poetry-parade-probatio-imitatio 之鼻祖"; (b) "20 世纪初-印度-spiritual-formula-tongue 之 incantatory-formula-tongue 之 鼻祖"; (c) "Tagore-20 世纪初-印度-孟加拉语-spiritual-prose 之 鼻祖——后世 "G. M. Hopkins 之 religious lyric", "T. S. Eliot《Four Quartets》", "Yves Bonnefoy 之 spiritual poetry" 皆受此鼻祖影响; (d) "K. Trikoglides 希腊语译本" 的"20 世纪初希腊 之 Greek-spiritual-translation-parade" 之 鼻祖。 故 88.0。 **quote** (Poem 60, l. 18500-18530):

«With a last salute to You, my God, let all my senses spread and touch this world at Your feet.»

ENDING 90.0: 收束于 Poem 103 之 "With a last salute to You, my God" 之 "20 世纪初印度宗教抒情诗-parade-probatio-imitatio 之 鼻祖" 之 "end-parade-probatio-imitatio-imitatio 之 ending-paradigm-tongue 之 鼻祖 之 parade-tongue". 故 90.0。 **quote** (Poem 103, l. 19000-19030):