Neil Gaiman
《Neverwhere》在 Babelspan 八维工艺分中得 91.9/100,原型归为「世界构筑流」。八个维度中,最强的是世界观(93 分),相对最弱的是节奏(90 分)。本评分基于样本开窗,各维度给分均附正文摘句证据,属单次可审计尺规评审,非众包星级或安利榜。
"Local mobi; open/mid/late/end + full.txt (Door/Richard/Croup/Vandemar, London Below, making a door return). Publisher junk ignored."
“Come in, Richard Mayhew. Come in,” … That was the most chilling thing of all: the gentle compassion, the sweetness of that smile.
天使温柔即威胁,故情节 91。
“But what’s to stop us taking it, and leaving pieces of you all over the Underside? We’ve never dismembered a marquis before.”
双子杀手立住,故人物 91。
“If you’re part of London Below… they normally don’t even notice you exist…”
隐身规则推路,故节奏 90。
“When one tastes it… I like to imagine that one is actually tasting the sunlight of bygone days.”
腐朽优雅并置,故文笔 92。
magical London underneath, where the people who fall through the cracks go.
裂缝人自成城,故世界 93。
“Hello . . . ?” he said. “I’m Door,” she told him. “This is Richard.”
救人即入局,故钩子 93。
They sleep in shop doorways all down the Strand. They don’t go to a special London. They freeze to death in the winter.
用现实主义拆童话,再逼回去,故创新 92。
“Making a door,” he told her… He began to hammer on the wall with his fists. “Hey! Is there anyone there? … Door? Someone?”
拒绝「正常人生」再开门,故结局 93。
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