Neil Gaiman
《Anansi Boys》在 Babelspan 八维工艺分中得 92.0/100,原型归为「文笔流」。八个维度中,最强的是文笔(93 分),相对最弱的是节奏(91 分)。本评分基于样本开窗,各维度给分均附正文摘句证据,属单次可审计尺规评审,非众包星级或安利榜。
"Local mobi; open/mid/late/end + full.txt (Tiger stories, Charlie song, beach/mermaid close; deleted Spider scene stripped from evidence)."
then the stories will be mine. Once again, people will tell Tiger stories… The world will be as it once was again: a hard place. A dark place
夺歌即夺世,故情节 92。
“I’m not Charlie,” said Spider. “Look at me. Really look at me. I don’t even look like him.”
分裂体拒绝被认成同一人,故人物 91。
“You do indeed,” agreed Grahame Coats, smooth as a snake in a butter churn.
办公室恶与神话恶并跑,故节奏 91。
“I am Charlie,” he sang. “I am Anansi’s son. Listen as I sing my song. Listen to my life.” … He sang the world. It was a good song, and it was his song.
歌即身份重建,故文笔 93。
People take on the shapes of the songs and the stories that surround them, especially if they don’t have their own song.
神话人类学一句立住,故世界 92。
All the stories there ever were are Anansi’s. Nobody tells Tiger stories.
所有权即钩,故钩子 92。
“This is how you help me, Anansi’s child. You and all your blood. You keep well away from me.”
当代伦敦里跑西非神谱,故创新 93。
Together the man and the boy danced their way back up the sand to the house, singing a wordless song that they made up as they went along…
歌传给下一代,故结局 92。
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