Amy Waldman
《The Submission》在 Babelspan 八维工艺分中得 91.0/100，原型归为「世界构筑流」。八个维度中，最强的是世界观（93 分），相对最弱的是节奏（88 分）。本评分基于样本开窗，各维度给分均附正文摘句证据，属单次可审计尺规评审，非众包星级或安利榜。
"mobi; reanchor The names Claire past TOC; end Pashto poet garden before ACKNOWLEDGMENTS. Four windows."
the police wanted, in advance, the names of all those planning to be arrested.
抗议许可即情节机，plot 91。
She was a family member as much as the white women she saw on the news. She had the fatherless child and empty bed to prove it.
丧亲立人，cast 90。
the most provocative act he could think of was to tug back her headscarf, and he reached out
冲突瞬间加速，pace 88。
“They’re a record, not a gesture,” the sculptor replied.
概念对仗开笔，prose 91。
perfect for a city in which plastic bags wafted along with birds and air-conditioner runoff mixed in with rain.
纽约纪念地理，world 93。
“The names,” Claire said. “What about the names?”
名字即争论核，hook 93。
Like the cypress tree, which holds its head high and is free within the confines of a garden
诗引伦理收束，innov 90。
With a pile of stones, he had written a name.
石写名回流，ending 92。
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