Julie Otsuka
《The Buddha in the Attic》在 Babelspan 八维工艺分中得 92.9/100，原型归为「匕首出鞘」。八个维度中，最强的是钩子（95 分），相对最弱的是节奏（89 分）。本评分基于样本开窗，各维度给分均附正文摘句证据，属单次可审计尺规评审，非众包星级或安利榜。
"mobi; reanchor past copyright/TOC to Come Japanese boat; mid Whites affairs litany; late Traitors list/removals; end cut before ACKNOWLEDGMENTS (town forgetting). Four windows."
In the newspapers, and on the radio, we began to hear talk of mass removals.
私史撞上迁徙政策，plot 91。
One of us filled the sleeves of her white silk wedding kimono with stones and wandered out into the sea
合唱里单人仍刺痛，cast 92。
the first thing we did—before deciding who we liked and didn’t like…—was compare photographs of our husbands.
清单节奏即叙事引擎，pace 89。
On the boat we were mostly virgins. We had long black hair and flat wide feet and we were not very tall.
平句叠出群体脸，prose 94。
why they were wearing I Am Chinese buttons pinned to the collars of their shirts.
战时伪装写进日常，world 93。
On the boat we were mostly virgins.
一句定调集体命运，hook 95。
All we know is that the Japanese are out there somewhere, in one place or another, and we shall probably not meet them again in this world.
视角翻到白人镇民完成形式创新，innov 95。
A year on and almost all traces of the Japanese have disappeared from our town.
遗忘即终局，ending 94。
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